The motion graphic starts off with only using circles, to reflect the supple, smooth plucks of the standup bass that introduces the first pattern in the song. Triangles are incorporated into the short second act to match the rhythmic cymbals that grow in volume as the song builds to the introduction of the main brass themes. After the brass is introduced, circles are entirely absent from the rest of the graphic, and replaced by exclusively squares and rectangles. This is done to represent the loud, dynamic energy created by the brass melodies that dominate the song. The third act primarily uses squares, and the intermediary fourth act only triangles. The two shapes are combined in the final act to represent the culmination of the two differing brass melodies, and the climax of the motion graphic.